The Importance of Condition – A guide to Stanley Gibbons’ definition of ‘fine’ The prices in the Stanley Gibbons Catalogues are for stamps in ‘fine condition’ – but what exactly does ‘fine’ mean, and what effect might a slight defect have upon the price?
or cover; the degree of reduction once again depending upon the extent of the toning and the value of the stamp in fine condition.
A few toned perforation tips should, say the experts, be viewed in the same way as if they were ‘short’. A small brown spot in the centre of a stamp, providing it cannot be seen on the front, would reduce an otherwise fine King George VI stamp to around half catalogue, or quarter catalogue if it were mounted as well.
Earlier stamps would require similar discounting but toned examples of more modern issues should be considered almost valueless. Similarly, any stamp with extensive or more disfiguring brown marks should be avoided, especially as the fault can ‘migrate’ to other stamps.
Cancellation quality
When describing the postmarks of the nineteenth century, the word ‘obliteration’ is synonymous with ‘cancellation’ – because, of course, that was what they were designed to do – to ‘obliterate’ the stamp in such a way as to prevent any opportunity for reuse.
The Maltese cross is an attractive cancellation, especially when applied in red or one of the ‘fancy’ colours, but many early Great Britain line- engraved adhesives are heavily cancelled by over-inked black crosses, which detract considerably from the beauty of the stamps.
A ‘fine’ cancellation should be lightly applied, if possible leaving a substantial part of the design – ideally including the Queen’s profile – clear of the cancellation. Also desirable are well centred examples displaying all, or nearly all of the cancellation on the stamp.
This is particularly true where the cancellation is more significant than the stamp, such as a Wotton- under- Edge Maltese cross. Here, you would want to have as full a cancellation as possible, although it would still be preferable to have it lightly applied.
This rule remains valid after the arrival of the ‘1844’ numeral cancellation. The duplex postmark, incorporating a circular datestamp alongside the numeral obliterator, was not introduced in London until early 1853, so for nine years nearly every stamp continued to be ‘obliterated’ by a barred numeral. On the odd occasion where another form of cancellation was used, such as the circular ‘Town’ marks or ‘Penny Post’ handstamps, the postmark has become more desirable than the stamp anyway.
For stamps used during those nine years, therefore, lightly applied postmarks which leave a significant part of the design clear continue to be desirable and stamps which fall short of this will not be categorised as ‘fine’.
Other countries followed the practices established by the British Post Office, using ‘anonymous’ cancels which can only be identified by individual peculiarities, or numeral postmarks of one form or another.
Again, stamps with lightly applied cancellations should be sought out for preference, although it is necessary to bear in mind the current postal practices in the country or at the individual post office concerned. In spite of the fact that pen cancellations are not generally popular among collectors, where this was a normal method of cancellation, as
