Christie's Unveils Works from The Mao Series by Andy Warhol in Hong Kong One Of The Most Important Works From The Mao Series By Andy Warhol Comes To Asia For The First Time During Christie's Hong Kong 2008 Spring Sales
News-Antique.com - May 13,2008 - Hong Kong – Christie’s is honored to showcase one of the most important works from the Mao series by Andy Warhol and the most valuable work by Warhol to remain outside of a museum during its Hong Kong 2008 Spring Sales. The work will be displayed as part of an exhibition featuring portraits of Mao by Andy Warhol from May 22-29 at the Hong Kong Convention and Exhibition Centre, where Christie's holds its sales and views.
“It is an honor and a unique opportunity to bring one of the most important paintings by Warhol to remain outside an institution to Christie's in Hong Kong where the international art world will gather for our Spring Sales.” said Brett Gorvy, International Co-Head of Christie's Post-War and Contemporary Art. “Visitors will have a chance to view this extraordinary Mao in Asia for the very first time as part of a specially curated exhibition celebrating Warhol’s legendary series.”
Mao by Andy Warhol is a superlative work in every aspect. One of the finest and greatest examples from Warhol’s entire oeuvre, this magnificent, colossal Mao stuns viewers with its staggering size and wall-power. Over 14 feet high, the painting is one of four Giant Maos of these dimensions executed by the artist. The other three are in major American and European museum collections: the Metropolitan Museum of Art in New York, the Art Institute of Chicago, and the Hamburger Bahnhof in Berlin. Never before has any of these paintings been displayed outside of the Western world.
Mao encompassed Warhol’s first major critically and commercially successful series following his premature “retirement” from painting in 1965 to pursue filmmaking. A near fatal shooting in 1968 led Warhol to reevaluate his career and artistic output and he began to execute commissioned celebrity portraits in the early 1970’s. The subject of Mao marks a turning point in the artist’s career and would begin a period of renewed growth. Warhol’s choice of subject also reflected the political developments of his day. In 1971, the People’s Republic of China replaced Nationalist China in the United Nations General Assembly and Securities Council and relations between China and the United States became less strained. In fact, it was Chairman Mao who was credited for encouraging President Nixon’s visit to China in February of 1972, the first by an American leader, with the visit easing Cold War tensions between the United States and China.
The subject of this work and its relevance to Chinese history makes it an important work to exhibit in Hong Kong given its proximity and ties to mainland China. Despite his radical policies, many people still see Mao as a figure of strength and unity. Warhol’s Mao represents the shift in cultural values that has taken place over the past decade and is therefore emblematic of the bridging of east and west.
A smaller portrait of Mao by Andy Warhol established a world auction record for the artist when it sold for US$17,376,000 in Christie’s New York Evening sale in